making space, part the third

This last aspect of space I want to tackle in this series is at once the most important and the most difficult to write.

Once space in the schedule is made, and the physical space for writing is found, there is still a major hurdle to overcome in order to get to work.  This is the intangible and ever-changing psychological space needed in order to create.   One entry definitely won’t cover it.  In fact, this only touches on the main reason I wanted to create this blog in the first place.  Exploring the process, the psychological space of writing and learning through self-observation as I go along is one of my major goals here.  That said, let’s jump in a little.

The psychological space necessary for creative work is also called mindset, mood, or “the zone,” but I prefer the slang of headspace, because it’s actual meaning refers to the space between something in a container and its seal, i.e. that little bit of air in the jar between your favorite jam and the lid.   For me, being in the right headspace to work is the difference between the concept of a song and it being completed in a way that satisfies me.

Every writer’s productive headspace will be a little different.  One of the first things I need is privacy.  This serves multiple purposes for me.

First of all, the ‘process’ of a song is not a pretty thing, and no one should have to be exposed to the very first draft of any of my songs, ever.  There are lots of stumbles, extremely silly lyrics, and great potential for cursing.  It’s best that I am completely alone for that experience.  Believe me, it’s for your own good.

Secondly, privacy allows me the freedom to play, to makeup the silly lyrics when I can’t think of one that fits right off, to be terrible.  It basically gives me permission to have a really crap first draft without worrying about what anyone else thinks about it.  This is a huge deal.  Feeling that I have the permission to be awful immediately relieves any pressure to be brilliant in the first round.  The ultimately important part of this is that it removes the power from my Internal Editor.  An editor is a lovely thing to have when you are at the point of refining and perfecting a piece, but when you’re just getting started, the Internal Editor (let’s call mine Steve) does nothing except tell you NOT to create.

“That idea has been done before.”

“That is stupid.”

“Don’t write that, it’s idiotic, and no one will get that reference.”

Steve clogs up valuable headspace with all that negative chatter, so the only solution is to find a way to tie him up to a chair and stuff him in a closet of your subconscious until he can make himself useful.  When other people are around, Steve flat out refuses to go to his closet.

“I bet they can hear you in the other room.  They heard you just f*ck up that chord royally.   Right now they are wondering how you can even call yourself a songwriter with a trite line like that.  You should be glad they ever come to your shows.  They probably just do it out of pity.” and so on and so forth.   Having privacy gives Steve one less thing to pick on, and makes it much easier for me to get him out of my way.

My other needs all go together.  The first is  relaxation.  Clearing the schedule helps with that, but so does clearing my thoughts of anything that’s bugging me.  I often make tea or coffee before settling down to write.  The ritual of it is soothing and so is the warm cup.  It helps me get a handle on my intentions.  (One of the main reasons I choose Octane for my editing and blogging sessions is that they serve a nice variety of loose leaf teas by the potful!)  Some songwriters write much better when they are experiencing emotional turmoil or some sort of extreme emotion, but this is not so with me.  I need focus, and focus only comes with relaxation and intention.

Once I’ve got all those things going on at once, the writing seems to be a lot more effortless.  This is not to say I don’t sometimes get stuck and stop for awhile, or that I always come out with something I love.  It just makes it easier for me to fall back into a project at will instead of “waiting for inspiration to strike.”  Inspiration is Out There at any given time, but having privacy, permission to be awful, relaxation, focus, and intent make it possible for me to tap into the right headspace.

Question for my Readers:

Where’s your head at?   I’d love to hear how some of you prepare psychologically for a writing session!

  • http://adampknave.com Adam P Knave

    Menal space is crucial but I am also an odd duck sometimes. I trained myself to write in a room full of people. I can’t talk to them while I work but I can zone out and get work done. My work is silent, mostly, though so that’s a bonus.

    The biggest hurdle I find for myself is being able to just sit down and work. I’m tired, I worked all day, and now I have to do MORE work?

    Yeah. So I have a mantra:

    “Shut the fuck up and work.”

    It keeps me honest.

  • elfro

    Ah, headspace.

    My music writing experience is very limited. Internally, it’s a completely different process from my writing process, which is a completely different process from my drawing process. I’ve also never written music and lyrics at the same time, so I have no idea how I’d do that. Don’t even know where to start.

    We’ll go with writing then, which for me is the most intensive (and also, the thing I do the most).

    I USED to be the guy that needed everything just right; a dark room, filled with music specifically chosen for the story I’m working on, and about 4 hours of uninterrupted silence.

    Now? I just need music to help me mentally block out my environment while I get to work. And it’s imperative that I NOT be on the internet when I write, or I’ll never get anything done. :)

    Before all of that, there’s this thing I do. Most of writing happens off the page. Once I know I’m going to get down to it, I take a few minutes to collect all the thoughts and ideas that I had and funnel it into a point. This is what you refer to as ‘the zone’. I let those ideas swirl around each other, accepting or rejecting the subsequent idea-babies they generate as necessary. Once I’m ready, once the first little nugget of a good idea is ready to be born, I start typing. The music helps me maintain focus so I can create a steady flow. In my best moments, I’m typing faster than I can I can formulate the words (especially in prose) in my head.

    In this stage. my writing is always the rawest. It takes a certain amount of energy, and if I do it for long enough at a shot, I can become physically tired. This is also where most of my really cool ideas for dialogue, or turns-of-phrases happens, when I’m most creative. This is also where my worst ideas come, as things that sounded good at the time of my fevor are proven to be utter crap once a clear mind is prevailing.

    From here, it’s editing and polishing, takes much less concentration so I don’t need to be as focused to get it done.

    What’s really interesting, though, is when I’m in that ‘zone’, when I’ve got the tight focus down, it cuts through whatever emotional baggage I’m dealing with. I can completely lose myself in the story for the few hours I’m writing. It’s kind of cool.

    -elf-

  • http://www.weatherlight.com Rhett

    I’ve mentioned this before on LJ when I listed some quotes that have been the most important to me. One of them was some advice I heard from Ira Glass right before I started producing video. It’s among the most important advice I have been given on creativity and in just about any pursuit:

    “Get used to sucking. Like, for a long time.”

    It’s something that’s served me well in media like video where I feel I’ve given myself a lot of license to suck. For some reason, though, I can’t get used to sucking when it comes to music, and my internal editor has helped ensure that, in nearly 15 years of playing music, I have written all of two songs.

    The hardest part for me is always getting something started. I think it’s because my internal editor has convinced me I don’t even have anything worth saying, thanks to years of my getting out a couple chords and him saying “Nope. That doesn’t express what you’re feeling.” If I’ve got some line or some fragment in my head I can get out, then I can skip that hard part and just start trying to build on it.

    I actually have a song in the pipes right now thanks to my having dreamed a melodic fragment. Unfortunately, the chorus is done and now I have to start on the verses, and I have no idea where to begin.

    The other big thing I’m trying, as a long term thing, is to simply criticize other things less. The guess is that, if I’m less critical of things I hear, then my mind is less practiced at criticizing myself, and not knowing what I can’t do is kinda essential.

  • http://mandythompson.com mandythompson

    Just found your blog and love this series of posts.
    I’ve written for ten years, but only recently am I getting to know myself as a serious songwriter.
    I currently live in a tiny apartment with my husband – in a building of paper thin walls – it’s a writing/recording nightmare.

    I usually write during the daytime when I can convince myself that my neighbors are all out. If my husband comes home early, and interrupts my latest right-brained rambling – it nearly kills me.
    He apologizes. But I don’t think he nor I actually understand what it does to my creative abilities.
    Reading this post helps me understand myself MUCH better now.
    I actually literally DREAM of having my own room tucked away to be creative. Maybe one day I’ll get that…

  • http://writeplayrepeat.com/2009/04/07/music-lyrics-and-snow/ Music, lyrics, and … SNOW?! « write. play. repeat.

    [...] favorite part is really editing the lyrics (Ok Steve, so you don’t always annoy me) to make sure I’m telling the story in the way that I [...]

  • http://writeplayrepeat.com/2010/02/10/one-year-ago/ One Year Ago « write. play. repeat.

    [...] until Steve the Internal Editor told me it was a great [...]